Virupaksha (2023)

Virupaksha (2023)

Story and Direction: Karthik Dandu
Screenplay: Sukumar
Starring: Sai Dharam Tej, Samyuktha Menon

I really enjoyed this film - it transports you into the world right away - and it uses mystery and horror to sustain tension and I feel like that's even more scary because there's the fear of the unknown. Usually in films where there are superstitious beliefs, we as the audience tend to not take them seriously because we assume a higher ground of rationale. But this film beautifully tricks us into buying the superstitions by scaring us whenever characters break free. I was surprised when I found myself rooting for characters to stick to them because that's what's the horror and mystery did to me. The theatre I watched the film in, the sound was too loud and even annoying in portions which is why even the jump scares felt like a bit of a cheat and there was frequent shrieks by characters almost forcing me to close my ears. But apart from this one thing, the way the mystery was building up step by step till the point of interval was amazing. The reveal that happens in the interval was a nice Sukumar-esque piecing things together. One more thing I felt a little dicey about what was how Surya keeps grabbing Nandini's hands forcibly, repeatedly. That gesture just made me tad bit uncomforable, but otherwise I love how their love story was also organically woven into the main plot. 

Spoilers Alert here on. While I enjoyed the twist that Nandini was also behind this, it felt like a bit of a convenient detail to add in the ending. Because the hints that they planted that it could be Nandini were too much of a far shot. Having said that, I definitely enjoyed the twist. I just wish there was more set up to pay this off. And after the reveal was done, the film was practically over for me - but there was a lot of shrieking and yelling and a lot of noise. I wish the film concluded the finale in a simpler way after the reveal was done. But yes, after having watched the film - the images and sounds from the world are still resounding in my head and I'm happy that a film in this tone and space is made in a mainstream way without losing its essence. 

Romancham (2023)

Romancham (2023)

Written and Directed by: Jithu Madhavan

Streaming on Disney+Hotstar. 

When I was trying to describe this film after watching it to people, is when I realized how unique of a film it is. It is a slice of life, horror film - blending two polar opposite genres seamlessly into a film. This is the most unique expression of horror I've ever seen - because the horror isn't in your face, but it slowly seeps into the film before you even realize. Of course, over time Malayalam cinema has earned it from the audience that the films will take their own sweet time to establish the world and characters with simple scenes - nothing mind-blowing or amazing or extremely funny - just simple stuff. This film banks on that as well - the opening 30 minutes or so is just establishing characters and the world. And the interesting part is, this world is not even a new interesting world to look out for. It's the most boring, mundane setup ever and even then the film finds its interesting moments. 

I like how Malayalam cinema creates tension and horror out of eccentricity of the body language of characters - FaFa in Kumbalangi Nights. The only horror scene in the film was a good one, and because it's the only scene in the film - it felt like they totally earned the suspension of disbelief. Although with this style of horror, the caveat is that you don't take the horror element as seriously. Having said that, horror films always excite me before I watch the film and barely impress me after I watch it. This film def impressed me on so many levels.

The Holiday (2006)

The Holiday (2006)

Written and Directed by: Nancy Meyers
Starring: Kate Winslet, Cameron Diaz

Streaming on Netflix. 

It's a beautiful film! Usually films take their time to establish the world and the characters with introductory scenes - whereas this film uses the premise of the film to do that. Two women from different countries swap their homes for a holiday to get away from their relationship issues. We see two women having failed relationships and deciding to go on a holiday. BAM! We are transported right into the world of the film. And all of this is treated in a light-hearted tone, and yet the film maintains immense empathy for what the characters are going through. Above this, there is the British girl going to Amercia and vice-versa - there is a lot of comedy explored through contrast. There are quite a few characters that we are introduced to, through the lens of the two protagonists and the canvas has been laid out. The beautiful thing about the film is - throughout the film - no matter which scene, which character - it's like there is a filter of kindness, empathy, but also a certain awareness to life which brings out comedy. We could call it the Nancy Meyer filter. I'm not saying she's the only filmmaker to have captured this tone - I've observed this in Richard Curtis' films too - but I really enjoyed how this film feels different and yet familiar. 

As the canvas of the film is laid out, the screenplay has freedom to explore the lives of any character in whichever order it wants to. But the film never loses its grip. By the end of Act-2, the film goes into a territory where all the characters are being treated badly in their relationships and are unable to muster the courage to walk out. And though the arc of them finding courage didn't come through so well to me - I didn't mind it because sometimes finding courage happens with a flip in the brain and often it's not even explicable. Eventually, keeping the tone of the film - everything works out for everybody in the end and it's like a nice warm hug. I absolutely loved Kate Winslet in the film - how could a gorgeous actress and a star like her be convincing as someone who is rejected? Who is going through unrequited love? She did it. I really loved the whole world, and the characters. I watched The Intern, I will have to check out other films by Nancy Meyers.